Premiere Pro Training Honolulu

Lesson 1: A Real-World Overview of Premiere Pro

What is Premiere Pro?
New Premiere Pro features
What media types can be rendered or exported with Premiere Pro?
What kind of media can be ingested or captured using Premiere Pro?
What kind of media can be imported into Premiere Pro?
Setting up a Premiere Pro hardware/software digital video work environment
Premiere Pro technical specifications
Premiere Pro workflow: Terminology and best practices

Lesson 2: Premiere Pro Project Management

What restrictions exist for a Project’s frame resolution?
What restrictions exist for a Project’s pixel aspect ratio?
What restrictions exist for a Project’s time base?
What restrictions exist for a Project’s frame rate?
What requirements exist for video and/or audio compression?
What are the variables to consider for graphical screen-based assets?
What are the variables to consider for audio assets?

Lesson 3: Touring Adobe Premiere Pro

Exploring nonlinear editing basics in Premiere Pro
Exploring panels and panel options
Customizing the Premiere Pro workspace
Premiere Pro VR Support
Exploring monophonic and stereophonic options
Enabling VR Video Display options
Exploring The Interpret Footage panel
Animating perspective with the Offset effect

Lesson 4: Project Settings and Preferences

Specifying Project settings
Customizing Project settings
Specifying Sequence settings
Setting Premiere Pro Preferences

Lesson 5: Ingesting Tapeless Media

Ingesting media versus capturing footage
Previewing, analyzing, and importing clips with Bridge
Hover scrubbing, previewing, and importing assets with the Media Browser
Subclipping media at import
Additional Import options
Managing media in bins
Mixing different media formats within Sequences

Lesson 6: Rough Cuts and Three-Point Edits

Previsualizing story content in the Project panel
Setting clip poster frames
Using the Selection and Rate Stretch Tools
3-point editing and other editing strategies
Source panel control options
Editing clips in the Source panel
Using the storyboard method to build a rough cut
Timeline editing with the Rolling Edit and Ripple Edit Tools

Lesson 7: Creating Basic Titles

Adding Premiere-generated Synthetic Media
Working with the Type Tool
Creating Text layers
Setting and editing text parameters
Applying text effects
Saving custom styles
Using the Essential Graphics panel
Using the Pen, Rectangle and Ellipse Shape Tools
Creating Shape layers
Working within safe margins

Lesson 8: Specialized Editing Tools and Techniques

Linking, unlinking, grouping, and nesting clips
Using the superimpose tracks
Using blend modes
The Razor Tool
Creating freeze-frame effects
Overwrite edits and Insert edits
Ripple deletes
The Zoom, Hand, and Track Select Tools
Using Markers
Working in Audio Time Units vs. SMPTE frames
Ganging the Source and Program CTIs
The Slip Tool
Split edits (J cuts, L cuts) and cutaways (U cuts)
The Slide Tool

Lesson 9: Adding Transitions

Practical application of Transitions
Applying Video Transitions
Editing Transitions with the Effect Controls panel
Using A/B mode to fine-tune a Transition
Applying Transitions to multiple clips at once
Applying Audio Transitions
Using keyframes to adjust audio levels

Lesson 10: Animating Clips with Fixed Effects

Understanding keyframes and tweening
Applying fixed effect property animation to clips
Setting keyframe interpolation

Lesson 11: Adding Video Effects

Compositing Video Effects on clips and Sequences
Keyframing time-based Video Effect properties
Adjusting keyframe interpolation to manipulate speed
Applying Track Matte feathering effects
Applying Video Effects to a Master Clip

Lesson 12: Rendering and Exporting

Testing for final export
Using the Export Settings dialog
Exporting single video frames
Working with the Adobe Media Encoder
Exporting a high-resolution master for recompositing
Exporting H.264-compressed video for YouTube and mobile devices
Adding Adobe Encore Chapter Markers to a Timeline
Exporting video and audio files for DVD mastering
Exporting to Apple Final Cut Pro XML

Lesson 13: Color Correction

Color grading versus color correction
An overview of traditional color correction
Using Lumetri color correction
Using the Fast Color and Three-Way Color Correctors

Lesson 1: A Real-World Overview of Premiere Pro

What is Premiere Pro?
New Premiere Pro features
What media types can be rendered or exported with Premiere Pro?
What kind of media can be ingested or captured using Premiere Pro?
What kind of media can be imported into Premiere Pro?
Setting up a Premiere Pro hardware/software digital video work environment
Premiere Pro technical specifications
Premiere Pro workflow: Terminology and best practices

Lesson 2: Premiere Pro Project Management

What restrictions exist for a Project’s frame resolution?
What restrictions exist for a Project’s pixel aspect ratio?
What restrictions exist for a Project’s time base?
What restrictions exist for a Project’s frame rate?
What requirements exist for video and/or audio compression?
What are the variables to consider for graphical screen-based assets?
What are the variables to consider for audio assets?

Lesson 3: Touring Adobe Premiere Pro

Exploring nonlinear editing basics in Premiere Pro
Exploring panels and panel options
Customizing the Premiere Pro workspace
Premiere Pro VR Support
Exploring monophonic and stereophonic options
Enabling VR Video Display options
Exploring The Interpret Footage panel
Animating perspective with the Offset effect

Lesson 4: Project Settings and Preferences

Specifying Project settings
Customizing Project settings
Specifying Sequence settings
Setting Premiere Pro Preferences

Lesson 5: Ingesting Tapeless Media

Ingesting media versus capturing footage
Previewing, analyzing, and importing clips with Bridge
Hover scrubbing, previewing, and importing assets with the Media Browser
Subclipping media at import
Additional Import options
Managing media in bins
Mixing different media formats within Sequences

Lesson 6: Rough Cuts and Three-Point Edits

Previsualizing story content in the Project panel
Setting clip poster frames
Using the Selection and Rate Stretch Tools
3-point editing and other editing strategies
Source panel control options
Editing clips in the Source panel
Using the storyboard method to build a rough cut
Timeline editing with the Rolling Edit and Ripple Edit Tools

Lesson 7: Creating Basic Titles

Adding Premiere-generated Synthetic Media
Working with the Type Tool
Creating Text layers
Setting and editing text parameters
Applying text effects
Saving custom styles
Using the Essential Graphics panel
Using the Pen, Rectangle and Ellipse Shape Tools
Creating Shape layers
Working within safe margins

Lesson 8: Specialized Editing Tools and Techniques

Linking, unlinking, grouping, and nesting clips
Using the superimpose tracks
Using blend modes
The Razor Tool
Creating freeze-frame effects
Overwrite edits and Insert edits
Ripple deletes
The Zoom, Hand, and Track Select Tools
Using Markers
Working in Audio Time Units vs. SMPTE frames
Ganging the Source and Program CTIs
The Slip Tool
Split edits (J cuts, L cuts) and cutaways (U cuts)
The Slide Tool

Lesson 9: Adding Transitions

Practical application of Transitions
Applying Video Transitions
Editing Transitions with the Effect Controls panel
Using A/B mode to fine-tune a Transition
Applying Transitions to multiple clips at once
Applying Audio Transitions
Using keyframes to adjust audio levels

Lesson 10: Animating Clips with Fixed Effects

Understanding keyframes and tweening
Applying fixed effect property animation to clips
Setting keyframe interpolation

Lesson 11: Adding Video Effects

Compositing Video Effects on clips and Sequences
Keyframing time-based Video Effect properties
Adjusting keyframe interpolation to manipulate speed
Applying Track Matte feathering effects
Applying Video Effects to a Master Clip

Lesson 12: Rendering and Exporting

Testing for final export
Using the Export Settings dialog
Exporting single video frames
Working with the Adobe Media Encoder
Exporting a high-resolution master for recompositing
Exporting H.264-compressed video for YouTube and mobile devices
Adding Adobe Encore Chapter Markers to a Timeline
Exporting video and audio files for DVD mastering
Exporting to Apple Final Cut Pro XML

Lesson 13: Color Correction

Color grading versus color correction
An overview of traditional color correction
Using Lumetri color correction
Using the Fast Color and Three-Way Color Correctors

Lesson 1: INTRO: A Real-World Overview of Premiere Pro

What is Premiere Pro?
New Premiere Pro features
What media types can be rendered or exported with Premiere Pro?
What kind of media can be ingested or captured using Premiere Pro?
What kind of media can be imported into Premiere Pro?
Setting up a Premiere Pro hardware/software digital video work environment
Premiere Pro technical specifications
Premiere Pro workflow: Terminology and best practices

Lesson 2: BEFORE YOU BEGIN: Premiere Pro Project Management

What restrictions exist for a Project’s frame resolution?
What restrictions exist for a Project’s pixel aspect ratio?
What restrictions exist for a Project’s time base?
What restrictions exist for a Project’s frame rate?
What requirements exist for video and/or audio compression?
What are the variables to consider for graphical screen-based assets?
What are the variables to consider for audio assets?

Lesson 3: Touring Adobe Premiere Pro

Exploring nonlinear editing basics in Premiere Pro
Exploring panels and panel options
Customizing the Premiere Pro workspace
Premiere Pro VR Support
Exploring monophonic and stereophonic options
Enabling VR Video Display options
Exploring The Interpret Footage panel
Animating perspective with the Offset effect

Lesson 4: Project Settings and Preferences

Specifying Project settings
Customizing Project settings
Specifying Sequence settings
Setting Premiere Pro Preferences

Lesson 5: Ingesting Tapeless Media

Ingesting media versus capturing footage
Previewing, analyzing, and importing clips with Bridge
Hover scrubbing, previewing, and importing assets with the Media Browser
Subclipping media at import
Additional Import options
Managing media in bins
Mixing different media formats within Sequences

Lesson 6: Rough Cuts and Three-Point Edits

Previsualizing story content in the Project panel
Setting clip poster frames
Using the Selection and Rate Stretch Tools
3-point editing and other editing strategies
Source panel control options
Editing clips in the Source panel
Using the storyboard method to build a rough cut
Timeline editing with the Rolling Edit and Ripple Edit Tools

Lesson 7: Creating Basic Titles

Adding Premiere-generated Synthetic Media
Working with the Type Tool
Creating Text layers
Setting and editing text parameters
Applying text effects
Saving custom styles
Using the Essential Graphics panel
Using the Pen, Rectangle and Ellipse Shape Tools
Creating Shape layers
Working within safe margins

Lesson 8: Specialized Editing Tools and Techniques

Linking, unlinking, grouping, and nesting clips
Using the superimpose tracks
Using blend modes
The Razor Tool
Creating freeze-frame effects
Overwrite edits and Insert edits
Ripple deletes
The Zoom, Hand, and Track Select Tools
Using Markers
Working in Audio Time Units vs. SMPTE frames
Ganging the Source and Program CTIs
The Slip Tool
Split edits (J cuts, L cuts) and cutaways (U cuts)
The Slide Tool

Lesson 9: Adding Transitions

Practical application of Transitions
Applying Video Transitions
Editing Transitions with the Effect Controls panel
Using A/B mode to fine-tune a Transition
Applying Transitions to multiple clips at once
Applying Audio Transitions
Using keyframes to adjust audio levels

Lesson 10: Animating Clips with Fixed Effects

Understanding keyframes and tweening
Applying fixed effect property animation to clips
Setting keyframe interpolation

Lesson 11: Adding Video Effects

Compositing Video Effects on clips and Sequences
Keyframing time-based Video Effect properties
Adjusting keyframe interpolation to manipulate speed
Applying Track Matte feathering effects
Applying Video Effects to a Master Clip

Lesson 12: Rendering and Exporting

Testing for final export
Using the Export Settings dialog
Exporting single video frames
Working with the Adobe Media Encoder
Exporting a high-resolution master for recompositing
Exporting H.264-compressed video for YouTube and mobile devices
Adding Adobe Encore Chapter Markers to a Timeline
Exporting video and audio files for DVD mastering
Exporting to Apple Final Cut Pro XML

Lesson 13: Advanced Editing Techniques

Trimming in the Program monitor
Dynamic trimming in the Timeline
Lifting and Extracting
Sync Lock and Track Lock
Four-point edits
Replacing clips and footage
Time remapping and slow/fast motion techniques
Time Interpolation and Optical Flow
Multicamera editing

Lesson 14: Advanced Video Effects

Color Correction effects
Using Lumetri Color Correction
Additional Color Correction effect options
The Reference Monitor and Video Scopes
The Video Limiter effect
Color-oriented Video effects
Lighting and shadow effects
Creating a Picture-in-Picture effect
Using Adjustment Layers in superimpose tracks
Image Stabilization and Rolling Shutter effects
Third-party video effects

Lesson 15: Advanced Compositing Techniques

About alpha channels, masks, mattes, and keys
Color keying with the Ultra Key effect
Modifying settings and color correcting foreground footage
Keyframing Opacity in combination with visual effects
Applying Blend Modes
Creating masks
Creating luma and alpha track mattes

Lesson 16: Customizing Titles and Motion Graphics

The Essential Graphics panel
Title Templates
Motion Graphics Templates and the .MOGRT format
Editing Motion Graphics Templates
Exporting Motion Graphics Templates
Customizing animated title templates
Adding Lower Thirds
Creating Master Graphics and Master Styles
Legacy titles
Text on a path
Adding graphic fills to text and backgrounds
Rolls and crawls

Lesson 17: Optimizing, Editing, and Sweetening Audio

Amplitude vs. Normalization
The Clip Mixer and the Audio Mixer
Mixing with clip and track keyframes
Automated Mixing
The Essential Sound panel
Audio sweetening
Audio Effects
Round-trip editing with Adobe Audition
Strip Silence and Noise Reduction
Third-party audio effects and libraries

Lesson 18: Integrating Adobe Photoshop and Illustrator Footage

Strategies for importing Adobe Photoshop files
Advantages of nested Sequences
Importing and round-trip editing Adobe Illustrator files
Incorporating layered AI files into a Premiere Pro Sequence

Lesson 19: Incorporating Adobe After Effects Compositions

Using Dynamic Link with After Effects
Managing After Effects Compositions in Premiere Pro

Lesson 20: Color Grading

Understanding LUTs and Looks
Installing LUTs
Color Grading with the Lumetri panel

Lesson 21: Color Correction

Color grading versus color correction
An overview of traditional color correction
Using Lumetri color correction
Using the Fast Color and Three-Way Color Correctors

Lesson 22: Project Management

Using the Project Manager
Managing files for Project archiving

Lesson 23: Audio Recording and Submixing

Recording voiceover direct-to-disc in Premiere Pro
Submixing audio tracks